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Time in Transition series

Years ago I discovered that the Renaissance used glass in their mediums of oil. This reflected the light in the room and came out of the viewer. Much like stain glass windows it is a different quality light that is ambient. To illustrate the power of this kind of light one only has to look at the plight of newspapers. The reading of them is 2 dimensional and quiet. Compare that light to the computer where the light is coming out at the viewer from behind the image. The same thing happened to the movie industry when television was 1st available.

I have always been interested in what happens to form when combined with the elements of time. I believe that everything in the universe is affected by time and time is always in a state of transition.
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Spanish Rider in color<br /> <br /> This drawing deals with the element called dark matter. If it is true that the planets are moving away from each other and something is pushing them apart, then how do we really look? How does the landscape really look? I took the famous painting by El Greco called "The View of Toledo" and imagined it being pushed down. As it began to appear it also took the shape of the upper torso and arm of a human being.
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Spanish Rider in color

This drawing deals with the element called dark matter. If it is true that the planets are moving away from each other and something is pushing them apart, then how do we really look? How does the landscape really look? I took the famous painting by El Greco called "The View of Toledo" and imagined it being pushed down. As it began to appear it also took the shape of the upper torso and arm of a human being.

  • The Bet<br /> <br /> I have always been interested in what happens to form when it works with the element of time. Everything is in a state of transition when time is introduced. Before I did this work, I went to the racetrack with a sound recorder. The table, the program, the cement walk to the teller, the teller’s window, the ticket that I bought, the horses that came through the tunnel onto the track... all of it was on the tape recorder. I composed this work using planes, each one representing a different point in time. On each of these slices I put an element that I remembered. The shape of the horse is one of the dominating forms. The many horses that are running at the viewer is another. The winning ticket makes its appearance on the bottom right. Glass, gold, and silver are used to capture the eyes of the viewers and force them to participate with the work.
  • Mona
  • Did You Hear?
  • Do You See It...Right?
  • VOLARE
  • Pondering Universe
  • The Rumble
  • Everlasting Life <br /> <br /> In this work the lower rectangle is divided into thirds. The left third depicts the tree of life and the right third shows John the Baptist. Over the head of Jesus is the bird of peace with its wings in a horizontal position. This produces a rectangle or a doorway. Catholics believe that baptism is the doorway to everlasting life. It seems to me that if the area that surrounds Jesus is the doorway to everlasting life, than what is our anatomy? We have left and right legs, the pelvis is the lintel, and our private parts are our DNA's desire for Everlasting Life.
  • Spanish Rider in color<br /> <br /> This drawing deals with the element called dark matter. If it is true that the planets are moving away from each other and something is pushing them apart, then how do we really look? How does the landscape really look? I took the famous painting by El Greco called "The View of Toledo" and imagined it being pushed down. As it began to appear it also took the shape of the upper torso and arm of a human being.
  • The Sound of Silence
  • Europa's Dance in color<br /> <br /> Of all the planets in our universe, the most interesting to me it is “Europa.” It has much liquid on its surface, and where there is liquid there is the possibility of life. The planet is dancing in my imagination. The painting that came later has two verticals at three units, two units, and four. To me this represents the 3/4 time of the waltz.
  • Take a Card
  • Conversation<br /> <br /> The moment the word is passed onto the ears small or vast, the meanings must relate and carry with it the weight of the past memories and visions. What are the tools that we use to be clear and not be confusing? How do we help the listener understand the end thought, giving meaning that is caught?
  • Untitled photo
  • Reflected Waves in color<br /> <br /> Sometime ago I read the Russian newspaper Pravda. They interviewed<br /> 2 professors from Russia who had taped the voices of the spirit world. They asked them how did the plane go down. The spirits claimed it was terrorism. The Russian government re-opened the case and changed their story which originally was called an accident. They then asked the spirits “do we look like animals when they die?” Their answer was “No, you look like waves.” Having studied the world of auras for many years I becme excited for we are 70% liquid. With that as a base one can make the case of our possessing the ability to produce electric waves. This work deals with that. In the center of the painting is an<br /> egg shape (which is our creation) and spinning out of the in all sides are the waves. All of the planets also have waves and the Hubble photographs them as auras of light. The Hubble also claims that planets and stars that are coming at the space station are blue in color. The red ones are going away. In art school we are taught just the opposite...warm colors advance and cool ones recede. If Da Vinci was alive today he would have to use this new color theory. In this painting I have used this new use of color.
  • Untitled photo
  • World of Flat
  • Untitled photo
  • Electric and Magnetic Waves
  • Transformation
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